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The confrontation between the heritage city and the contemporary city is sparked by this exhibition titled Kneaded Memory by Dalila Gonçalves, consisting of cement structures and tiles, painted manually with the appearance of stones.

Within this performance it is intended that the city continues to 'roll', not of 'rolling stones' but of 'rolling people' as a group of performers present Rolling People as an allusion to the concept of the city that moves, a performance created exclusively for the annual festival Corpo + Cidade (recently renamed to Festival DDD).

Corpo + Cidade Festival, Porto. Apr 2014

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